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Fargo, Anthologies, & the Miniseries

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On this episode, we head to the chilly Midwest to talk about Fargo! Spencer Sterritt returns to talk about the crime drama, the cast, the devil incarnate trope, and fan shipping. We also discuss the recent explosion of miniseries & anthology format shows like True Detective, and reluctantly praise the pioneering of American Horror Story. Then it devolves into Spencer trashing the term, and Earl suggesting more ridiculous candidates for them. (Spoilers on all of Fargo.)

Guests:
Spencer Sterritt – Editor-in-chief for We Eat Films

Audio notes: (57min. runtime)
02:35 – Accents, Martin Freeman, fan shipping, and compressed storylines
10:55 – Expanding the series, connecting film and show, and experience from a non-film viewer
20:25 – Morality, deconstructing the anti-hero, Billy Bob, awards, and Canada
32:40 – Devil incarnate trope, Malvo, and Chekov’s gun closet
41:55 – Defining miniseries & anthologies, American Horror Story, and how one would make a miniseries
50:10 – AHS as community theatre, Ryan Murphy, and Archer & Louie: anthologies?

Theme: Coconut Robot2 (James Pants) / CC BY 3.0
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The Americans, Spies, & Secret Agents

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On today’s podcast, Spencer Sterritt returns from the motherland to discuss The Americans & spy fiction! We delve into the morally grey spy drama’s latest season, tackle complaints of it being cold and detached, compare it to Breaking Bad and Homeland, and somehow suggest a potential spin-off for one of its characters. Then after, we talk about Rubicon, Archer, Alias, James Bond, and Tinker Tailor Soldier Spy. And somehow, we compare John le Carré to Austin Powers: Groovy, baby!

Guests:
Spencer Sterritt – Editor-in-chief for We Eat Films

Supplementary Notes:
Illegals Program

Audio notes: (1hr. 3min. runtime)
01:15 – Thoughts on the show, being morally grey, ideals vs. individual, and Jared
12:00 – The kids, angry dad Phillip, children of spies, and being American
21:05 – The Illegals Program, Joe Weisberg, stealth, and show being cold & detached
29:25 – Getting people into The Americans, supporting cast, and making a spin-off
38:50 – Homeland, Rubicon, the human cost of intelligence work, Archer, Alias, and wigs
50:15 – James Bond, Metal Gear Solid, John Le Carré & Homeland, and Austin Powers

Theme: Coconut Robot2 (James Pants) / CC BY 3.0
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Archer, Community, & Revamping TV Shows

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On today’s episode, we talk about Archer and Community! Andrew Lawrence returns to talk about both series and the idea of revamping TV shows in the middle of its run, like It’s Always Sunny, Parks and Rec, and even Friday Night Lights. We also discuss introducing new shows to people with out-of-order episodes. And somehow we manage to tie in Juno, Back to the Future, and LA Noire to the discussion. (Light spoilers for the shows, tagged in the recording.)

Guests:
Andrew Lawrence – “Phrasing”

Audio notes: (56min. runtime)
0:01:00 – Archer Vice, retreading old territory, and character dynamics
0:13:40 – Community’s fifth season, improving the show, and being weird
0:26:15 – Arrested Development, It’s Always Sunny, and making terrible people worse
0:39:25 – Parks & Recreation, Friday Night Lights, and changing gears half-way

Theme: Coconut Robot2 (James Pants) / CC BY 3.0
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Title Sequences

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Cue music, insert titles… All Kinds of Philler. This episode is all about title sequences in film and television, which means opening titles, stingers, studio logos, and ending credits. Earl brings in Anna again to talk about some of the most iconic and memorable sequences in visual media. It’s a whirlwind discussion about memorable themes, ever-changing sequences, and what makes a great title. And somehow, they end up spoiling the intro to Lord of War. It’s a very distilled episode, with many examples left on the cutting room floor, but goes through a wide range of choices both obscure and popular.

Guests:
Anna (@gobanana66)

Supplemental notes:
Playlist of selected titles discussed
Art of the Title

Audio notes: (1hr. 15min. runtime)
01:00 – Interest in motion design
02:25 – Design sensibilities: Game of Thrones, and Scott Pilgrim
07:00 – Comparing American Psycho and Dexter
10:05 – TV vs. film openings
11:05 – Setting up films: Enter the Void, Darkplace, Lord of War, and Watchmen
18:15 – Updating sequences: Supernatural, and The Simpsons
25:20 – Kyle Cooper and David Fincher: Se7en, and Fight Club
28:32 – Prologue Films: Iron Man, Speed Racer, and 21 Jump Street
31:40 – Imaginary Forces: Marvel Studios, DC Studios, and Rubicon
38:40 – Jared and Jerusha Hess: Napoleon Dynamite and Gentlemen Broncos
42:25 – Changing sequences: James Bond, Community, and Drew Carey Show
51:05 – Music: Bob’s Burgers, Chuck, Mad Men, and Clone High
58:00 – Comparing X-Files and Fringe, and ageless actors
64:25 – Revisiting the Dexter intro
65:15 – Comparisons: Snatch vs. Baccano, and James Bond vs. Archer
67:55 – Iconic titles: Fresh Prince of Bel-Air, ’60s Batman, and Star Wars

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Arrested Development

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Now the story of a wealthy family who lost everything and the one podcast that had no choice but to have All Kinds of Philler… it’s Arrested Development. That’s right, the long-awaited fourth season is finally here! Earl chats with Anna after marathoning all 15 episodes about the latest season of the TV show and what they think of the series as a whole. Just like the show, they both have a rich back-story, get ahead of themselves in their discussion, and say some inappropriate things! Was this new season a “Mission Accomplished”, or have they made a huge mistake?

Guests:
Anna (@gobanana66)

Audio notes: (1hr. 13min. runtime)
02:05 – First three seasons
20:10 – The new season
68:45 – What’s next
71:30 – Anna’s playlist

Subscribe to the podcast on iTunes!
Follow us (@AKOPPodcast or @phillerworks) or email us at akop@phillerworks.com!