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Twas the AKOP Night Before Christmas

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“Three Holiday things, one Christopher Walken: Welcome to Twas the AKOP Night Before Christmas!”

Happy Holidays to all, and to all GET PUMPED!!!!!! BRO! Soooooooo welcome to another installment of AKOP Nights wherein this episode we tackle not three holiday movies but two TV specials and one movie. We are doing things differently and why not it’s the holidays. So if you are new to AKOP Nights, here is the drill: Earl, Shawn and Patrick all pick a movie, or TV show in this case, and they have to watch all three. When each show is done they discuss the selection for your listening enjoyment. And in keeping with the Chris titling, we have a very special guest: “Christopher Walken”!

What are the three picks you ask: Well don’t let anyone know we told you but: Earl choose the recently released TV special Black Mirror/White Christmas. Patrick dove back into his childhood and picked The Muppet Family Christmas, and finally Shawn picked, of course, a Christmas horror movie in the form of Black Christmas.

Get that eggnog and shove some tinsel in your mouth because we are ready for the holidays…are you?

Let it begin…the night now.

*SPOILER WARNING: We spoil the hell out of these shows and we have to ask: If you haven’t seen either Black Mirror/White Christmas, The Muppet Family Christmas or Black Christmas then have some fun this holiday season, watch these shows, and then come back and listen to the show.

Audio notes: (1hr. 20min. runtime)
0:04:20 – The cold open, and special guest “Christopher Walken”
0:08:55 – Earl’s pick: Black Mirror/White Christmas, TV specials, writing, and pick-up artists
0:26:05 – Patrick’s pick: A Muppet Family Christmas, Muppets in KH3, and Jim Henson
0:47:45 – Shawn’s pick: Black Christmas, pioneering thrillers & slashers, and Margot Kidder
1:15:20 – Final thoughts

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Theme: Coconut Robot2 (James Pants) / CC BY 3.0

Title Sequences

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Cue music, insert titles… All Kinds of Philler. This episode is all about title sequences in film and television, which means opening titles, stingers, studio logos, and ending credits. Earl brings in Anna again to talk about some of the most iconic and memorable sequences in visual media. It’s a whirlwind discussion about memorable themes, ever-changing sequences, and what makes a great title. And somehow, they end up spoiling the intro to Lord of War. It’s a very distilled episode, with many examples left on the cutting room floor, but goes through a wide range of choices both obscure and popular.

Guests:
Anna (@gobanana66)

Supplemental notes:
Playlist of selected titles discussed
Art of the Title

Audio notes: (1hr. 15min. runtime)
01:00 – Interest in motion design
02:25 – Design sensibilities: Game of Thrones, and Scott Pilgrim
07:00 – Comparing American Psycho and Dexter
10:05 – TV vs. film openings
11:05 – Setting up films: Enter the Void, Darkplace, Lord of War, and Watchmen
18:15 – Updating sequences: Supernatural, and The Simpsons
25:20 – Kyle Cooper and David Fincher: Se7en, and Fight Club
28:32 – Prologue Films: Iron Man, Speed Racer, and 21 Jump Street
31:40 – Imaginary Forces: Marvel Studios, DC Studios, and Rubicon
38:40 – Jared and Jerusha Hess: Napoleon Dynamite and Gentlemen Broncos
42:25 – Changing sequences: James Bond, Community, and Drew Carey Show
51:05 – Music: Bob’s Burgers, Chuck, Mad Men, and Clone High
58:00 – Comparing X-Files and Fringe, and ageless actors
64:25 – Revisiting the Dexter intro
65:15 – Comparisons: Snatch vs. Baccano, and James Bond vs. Archer
67:55 – Iconic titles: Fresh Prince of Bel-Air, ’60s Batman, and Star Wars

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