Tag Archives: stanley kubrick

Horror Filmmaking & Sleep Paralysis

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This week, Kalen Artinian returns to the show in time for our Halloween-themed episodes! Earl and Shawn talk to him about some of his favourite horror films, directing his short films, and everyone’s take on classic and modern horror. They also dig into their sleep paralysis stories and Kalen’s theoretical AKOP Spooky Night movie choices. And along the way, we compare movie boxsets, Wes Craven month at TIFF, and the magic of practical effects.

Guest:
Kalen Artinian (@kalenartinian) – Film director (Hellvetica, Ruby’s Secret)

What we’ve been checking out:
Kalen: Toronto After Dark Festival, The Guest
Shawn: Family Guy/Simpsons crossover episode
Earl: The Thing, Doctor Who

Audio notes: (1hr. 20min. runtime)
0:00:00 – Intro
0:02:50 – Kalen’s AKOP Spooky Night movies choices, did Shawn succeed?, Italian horror, and Wes Craven
0:13:10 – Voodoo and sleep paralysis, watching classic horror in theatres, and Kubrick exhibition
0:29:20 – Directing shorts, Hellvetica, practical effects, Ruby’s Secret, and future projects
0:45:30 – Interesting avenues in horror, primal fears, subgenres, and Eli Roth
0:56:10 – Old vs. new horror, Evil Dead, slasher franchises, rape-revenge trope, and boxsets
1:09:45 – What’s everyone checking out, and things that creep in the night

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The Grand Budapest Hotel

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This episode we check in at The Grand Budapest Hotel! Earl and Patrick discuss Wes Anderson’s latest film, compare it with the rest of his works, take a crack at the Great Artist Theory, and speculate on the future for the director. As well, not only do they screw up actors’ names, but even the accuracy of a person’s existence. They also manage to bring up Martin Scorsese, Bob Dylan, and True Detective to the mix. (Some spoilers for this episode.)

Guests:
Patrick Barfoot (@patrickbarfoot) – Editor and Director, patrickbarfoot.com

Supplementary notes:
Wes Anderson // Centered and // From Above
WES
The Midnight Coterie of Sinister Intruders
Martin Scorsese on Wes Anderson – Esquire Magazine
Martin Scorsese’s Open Letter on Future of Film

Audio notes: (57min. runtime)
00:40 – Pre-show talk
05:15 – Post-show, and the story-in-a-story framing device
13:20 – Expectations, pushing boundaries, style, scope, characters, and comparing Wes’ films
24:00 – Recurring motifs & themes, typography, scale models, and colour palette
33:05 – The Great Artist Theory, Picasso, Bob Dylan, Martin Scorsese, and redefining oneself
43:00 – The need to stumble, unique visual directorial styles, and the future for Wes Anderson
53:25 – Comparing with Bob Dylan, and I’m Not There vs. Inside Llewyn Davis

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