Tag Archives: true detective

Fargo, Anthologies, & the Miniseries

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On this episode, we head to the chilly Midwest to talk about Fargo! Spencer Sterritt returns to talk about the crime drama, the cast, the devil incarnate trope, and fan shipping. We also discuss the recent explosion of miniseries & anthology format shows like True Detective, and reluctantly praise the pioneering of American Horror Story. Then it devolves into Spencer trashing the term, and Earl suggesting more ridiculous candidates for them. (Spoilers on all of Fargo.)

Guests:
Spencer Sterritt – Editor-in-chief for We Eat Films

Audio notes: (57min. runtime)
02:35 – Accents, Martin Freeman, fan shipping, and compressed storylines
10:55 – Expanding the series, connecting film and show, and experience from a non-film viewer
20:25 – Morality, deconstructing the anti-hero, Billy Bob, awards, and Canada
32:40 – Devil incarnate trope, Malvo, and Chekov’s gun closet
41:55 – Defining miniseries & anthologies, American Horror Story, and how one would make a miniseries
50:10 – AHS as community theatre, Ryan Murphy, and Archer & Louie: anthologies?

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The Grand Budapest Hotel

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This episode we check in at The Grand Budapest Hotel! Earl and Patrick discuss Wes Anderson’s latest film, compare it with the rest of his works, take a crack at the Great Artist Theory, and speculate on the future for the director. As well, not only do they screw up actors’ names, but even the accuracy of a person’s existence. They also manage to bring up Martin Scorsese, Bob Dylan, and True Detective to the mix. (Some spoilers for this episode.)

Guests:
Patrick Barfoot (@patrickbarfoot) – Editor and Director, patrickbarfoot.com

Supplementary notes:
Wes Anderson // Centered and // From Above
WES
The Midnight Coterie of Sinister Intruders
Martin Scorsese on Wes Anderson – Esquire Magazine
Martin Scorsese’s Open Letter on Future of Film

Audio notes: (57min. runtime)
00:40 – Pre-show talk
05:15 – Post-show, and the story-in-a-story framing device
13:20 – Expectations, pushing boundaries, style, scope, characters, and comparing Wes’ films
24:00 – Recurring motifs & themes, typography, scale models, and colour palette
33:05 – The Great Artist Theory, Picasso, Bob Dylan, Martin Scorsese, and redefining oneself
43:00 – The need to stumble, unique visual directorial styles, and the future for Wes Anderson
53:25 – Comparing with Bob Dylan, and I’m Not There vs. Inside Llewyn Davis

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True Detective

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This week we’re talking about True Detective! Earl and Patrick discuss the recently finished first season, critique the finale and its take on spirituality and existentialism, debate the concept of a “television novel”, and speculate on a second season. They also end up butchering people’s names, and connect the series to Taxi Driver, Top of the Lake, and Kenny vs. Spenny. Get ready to enter Carcosa and check out the episode! (Full spoilers, because time is a flat circle.)

Guests:
Patrick Barfoot (@patrickbarfoot) – Editor and Director, patrickbarfoot.com

Supplementary notes:
True Detective Conversations
As many as five serial killers who operated in London, Ontario, may still be alive and free, new book says – National Post article
The Genius of True Detective: “It’s Just One Story” – Badass Digest / Film Crit Hulk
Seitz: The 7 Things That True Detective Was About

Audio notes: (47min. runtime)
0:01:10 – General thoughts on series, and the finale
0:07:30 – Speculating nominations, performances, and straight man & funny man dynamic
0:10:40 – Ending analysis, spirituality, Nic Pizzolatto & Cary Fukunaga, and the afterlife
0:20:40 – “Television novels”, miniseries format, detective genre, and writer/director combo
0:28:15 – Dread, cosmic horror, “little priest”, and HP Lovecraft
0:33:20 – Occult history of US transportation system, keeping it strange, and London as capital of serial killers
0:37:05 – Speculating on Season 2, fractured perspectives & time periods, and female leads

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Subscribe to the podcast on iTunes!
Follow us (@AKOPPodcast) or email us at akop@phillerworks.com!